Ugh, I’m one of those people who will defend imperial as not being irrational, just built ad-hoc for purposes that aren’t in alignment with modern ones and … No, that’s not what Fahrenheit is.

Fahrenheit was trying to make a temperature scale that was easy to recreate to ease the calibration of thermometers. Zero is a temperature that can be created in your garage with some ice, salt and water. 100 was his best, ultimately inaccurate, attempt to measure human body temperature, since it’s another easy calibration point, and from there water was defined as 32 and 212 so that they were 180 degrees apart, which would fit will on a temperature dial.
Not irrational, not a comfort scale, and not in alignment with current needs.

It’s pure coincidence that it kinda lines up with comfortable outdoor temperatures in the opinion of a good chunk of a population living in the northern part of the western hemisphere.

Are you asking me why I have an opinion on something? Because I do. You don’t need special reasons to make comments on a forum.

You aren’t listening. They depicted black people in the fashion that they depicted Greek people. They didn’t find them a weird novelty. The nature of ancient Greek prejudice wouldn’t have them depict people as Greek that they didn’t consider Greek. That intrinsically says something about the cultural integration, because that’s what the Greeks got weird over. If it was uncommon for them to be there they would have mentioned it because they mentioned all manner of uncommon things.
If they were a part of the society, and common enough that it wasn’t worth mentioning “…and then the one black guy in Athens showed up…”, then it seems clear to me that that’s “plenty”.

Nothing is being spun. I and others have given you evidence. You haven’t and are just making vacuous claims. Why do you have the opinion you do about the skin tone content of ancient Greece? Is it the enlightenment era paintings of Greek philosophers as white as could be? That the paint fell off the statues so now they’re just white marble? That all the black people in the pottery are “obviously” artistic choices, but the white people just … Are?
I’m sure you have a reason for thinking what you do, so what is it?
Neither a conversation nor a debate works by one person demanding evidence, denying it, and then refusing to elaborate In their beliefs.

Alright, demonstrate that the demographics are as you assert they are. I’ve shown you that they’re depicted in their arts and culture, both as they depicted outsiders and as they depicted themselves, as well as that they had unremarkable interactions with Ethiopia and beyond.
The link also details the history of using the racial composition of ancient Greece for all manner of racial weirdness that wasn’t representative of the Greeks themselves, up to and including Internet race weirdos who get bent out of shape about a black person being depicted in a movie set in the Mediterranean.

At this point you’ve been given plenty of evidence that there sufficient numbers of dark skinned people that it wasn’t remarkable. If you disagree that it would somehow have been remarkable, or that this isn’t a perfectly workable definition of “plenty”, then show some reason why beyond “well everyone knows”.
Hell, demonstrate that there were plenty of white people.

Define “plenty”.

The ancient Greeks didn’t care about skin tone in the modern sense, so there isn’t some racial census data like we have now.

https://lucas.leeds.ac.uk/article/skin-colour-in-ancient-greece/

They make trivial to find references to black people and depict them in the manner they depict themselves in art.
Because their division was not “Greek” and “black” but “Greek” and “not Greek”, they simply didn’t document it.
Aristotle describes the ideal skin tone as halfway between an Ethiopian and a woman.

Black people were quite literally unremarkable to them, so it’s pretty easy to argue that an ancient Greek wouldn’t find it odd to travel with a black person.